14 Mar 2013

Realism


“Realism”, it’s not just a genre of art.  If you search the internet you will see the word “realism” applies to many different fields – arts, politics, philosophy…  Anyways, I guess I am writing to reflect some things I have realised on this course.

Talking among the cohort I can feel a definite divide – Those that have and those that have not.  Have what exactly you wonder?  It’s hard to define, but can be seen in our grouping in the team project.

One half of the class decided they didn’t want to work with others and formed their own “super groups”.  This causes problems… for everyone else.  It’s such a selfish and unprofessional approach, yet it was allowed only adding to the divide.  It’s making one side more and more cynical and the other more confident.  It’s basically the same with the allocation of teaching – The [Insert students name here] simply get more encouragement and attention from the tutors.  It’s not those guys that need the most help.  Let’s say that the groups doing the London project are the positive, “get-more-attention-y” ones and the “left over crap” is doing the local queens building...  Interestingly out of choice - possibly being less ambitious and sub-dominant.  I have found in my team people are reluctant to take on responsibilities, I think through possibly lack of experience and encouragement.  The tutors should be empowering these people, not ignoring them because they are harder work or because they are less likely to immediately produce work to entice the next batch of students.

Morlocks from the book "The Time Machine" - a fictional product of the divide in society 

Failed Diplomacy

It's worth noting that the term “realism” when applied to politics refers to the realisation that the gouverning bodies and individuals are ultimately self-serving.  When team “pudding lane” (great name by the way) gave their presentation there were ensuing discussions and constructive feedback on how to best go forward with the project for at least ten minutes with all the tutors.  When our team the “Dirty Ngons” (great name by the way) made a presentation I personally had to ask for feedback and critiques.  Unfortunately (I can’t truly say for what reason) the tutors seemed… bored, uninterested and our feedback was under a single minute.  On one hand I think it’s great doing collaborative projects which will undoubtedly raise our profiles, it would be a lovely experience too I’m sure.  But on the other hand moral is so damn low for the other half the class that you guys should be making efforts not to show favouritism… Maybe learn the faces of some students you’re not sure about… see what drives them, understand their personalities.



My problem is that I have paid just as much for my education as the members of team London – Showing no interest in other teams is demoralising for them (but I guess the “Londoners” don’t care, right?).  There have been many discussions and much whining and bitching among this half of the class, while the other half demand tablet pens.  The main issue is course delivery – It’s lacklustre at best, with little to no teaching of theories and techniques… I often get the feeling we are feeding the tutors with information (not the other way round).  On the DMU foundation course I was encouraged to experiment with frequent personal feedback, & taught skills within Adobe packages (optionally). on this course I am encouraged… Nothing.  I guess I’m supposed to look towards the students that get coverage and aspire to that?  We all know the proverb “give a man a fish”?  Well this is Chinese proverbs gone mad.
PS4 due for a Christmas release - Next gen is on the horizon - Are we prepared?
The game industry and technology is constantly evolving.  You can’t use comparatives that are ten years old like Half-life 2.  Sure it’s heralded as one of the best games in in the past decade, but it is dated as fuck.  In my opinion all of the classes and the syllabus as a whole need a rethink.  At the minute coming into lessons is a hindrance to my learning – Not only are we showed very little and can learn more from a video tutorial on YouTube, but the punctuality, organisation and attitude is a bit demotivating.

I said it this week talking in a group of others.  I said I feel like I was scammed.  This course on appearance has great work to promote its self, and a course leader who is a strong/confident speaker.  I naturally assumed that the quality of work was a reflection of the course and its teachings.  I remember coming in and talking to students before I signed up.  There was a guy called Jake (I think it was Jake?) who wasn’t the strongest drawer, but he had a piece of work that inspired me to join.  It was a canal pencil sketch from year 1.  What impressed me was the improvement from his first attempt to his final.  I thought “wow!  If this course can teach and inspire the change from pic A to pic B then there must be something magical here”!  Unfortunately I have come to the realisation that he took a photo of the canal and copied it at home.  Jake didn’t learn anything, copying from photos in my own time I could produce a photo-realistic(ish) image – I don’t really enjoy it and wouldn’t learn Jack Shit.  That’s not even art in my book.  If you’re a writer and copy other’s words what does that make you… a scribe?  If you are a teacher who  can’t inspire, inform and help students what are you… Too busy?

This blog is in no way a personal attack on any students or tutors.  I quite like the tutors and can empathes somewhat, and I am proud of team London.  Any problem is only a problem when you can’t overcome it.  That’s why I write this.  I’m considering trying to perma-work at university, although I have often found the other students collectively annoying & disruptive.  It’s not them it’s me – I have actually grown to like the “alternative” crowd – or the dark underbelly, that are reserved and disillusioned like me… I even got an invitation to a party last night.  It’s easy to lump people together though.  You, me, them, us.

Saigon, I’m still in Saigon

Realism of course also refers to an art discipline/style.  I actually learned loads of art and stuff before I joined this course (sorry for the bitter stab there).  Realism was of course before cameras and is the art of realistically representing the surroundings around you.  A good realist painter would also show a reflection for their society (while an expressionist may reflect themselves or their beliefs).  This is a big thing when it comes to concept/modern/digital art.  People like realistic light and shadow, proportions blahblahblah blah complimentary colours, blahblah shiny surfaces & reflections.  I subscribed to six months of Imagine FX and they keep sending me the damn things.  Digital art is a bit of a shortcut – I’m hoping that one day the internet will become sentient and try to destroy humanity and all we have left is charcoal and rubble to draw with.  Seriously though there is an extremely small percentage of students who even use their own digital brushes, although there are YouTube tutorials to tell them how to do it!  On top of that there is a lot of paint overs (I can see through a lot of work), copies/interpretations of other artists work and references without crediting the source.  On the whole a lot of “monkey see monkey do”.  There are some strong individual styles among us, but also a lot of comfort zones.  I have seen one student in our year draw the exact same looking character a hundred times.  Another using the same palette they had before coming here.  Are these the elite?  I was hoping for the next stage in game art – cutting edge techniques, solid foundations provided by our syllabus, a variety of styles explored and encouraged…  Nope that’s not happening.

I guess we all have different expectations.  Looking at my own work I guess there is nothing great or unique either.  Am I being hypocritical?  Hypercritical?  Yeah, of course I am, but I’m trying to state my thoughts on quite an important issue.  In my review I said I was feeling that I was getting “over saturated”.  Maybe it’s a personality thing, judging from our mini-talks on our personal inspirations, others are genuinely enthusiastic about artist A or artist B…  I don’t feel that.
A doodle I started but gave up on after 10mins today - People don't seem to care unless using popular techniques and over-rendering.  Should I spend more time adding detail I personally don't need/want to see
I went to the Louvre a while back and I stared at the Mona Lisa for a long time, as an artistic chap I had no choice.  I appreciated it a lot more than any other version I have ever seen and is hard to compare to book prints and digital images.  I’m not a Da Vinci fanatic.  I have a couple of books on Da Vinci, this doesn’t mean that I want to copy his images or style.  Art for me isn’t something you can copy and comes from within.  I’m not concerned about taking the fun out of the work – I have done paid work for half my life.  Earning a wage and art simply don’t go together – Having to do something day after day removes the excitement, just look at war vets who have done multiple tours – I bet they don’t get the fear like a rookie would.  In fact they may even become “war hardened”, emotionally detached, possibly broken.

A Kid in a Candy Store

It’s the Way of The World

Being a post about realism I guess I should be noting that the conditions mentioned are a pretty accurate reflection of life.  Things aren’t always going to be ideal & the grass is always greener.  There will always be sycophants and dicks like me who just moan without solutions.  It’s easy to blame the conditions around you or a situation you are in for your own discontent.  At the end of the day it don’t really matter.  Just get on with it.  I’m actually happiest absorbed with learning stuff - be it 3D modelling, a new and interesting person/relationship, or how to outwit opponents or the system in a video game.  I might be a bit jealous with the attention thing – I’m pretty sure the students that get the most attention are not getting as much as they would like either.  I have also been in a few different jobs where it’s not how good or hard a worker you, but how much the people with influence want you around.  There is a whole world of back-scratching in all jobs and industries and I think I have to learn an important lesson about diplomacy myself.  It’s actually going to be a bit of a break-through posting this – I think after I spit this poison out of me I can start to recover maybe.  I have wrote several posts but never sent, all with a similar theme – me losing my way and being bitter n twisted.  Well I hope it’s come across a little less bitter and a bit more critical and possibly informative.

10 Mar 2013

State of the Art: pt2


It’s been a busy period for course work recently, mainly because I’m making up for a lazy January but also because of the group project and deadlines coming up.  Well, on top of all that I’m getting a bit sick of concept art, I have been looking at more and more digital art to help me stay enthusiastic, and has helped me to stay interested… somewhat.

Facebook is actually pretty good to get stuff shoved in your face without tracking it down – Just like some sites (ie cghub, deviantart, concept art world) and they will post loads of images, doing their best to promote the artist and the site… It’s a mutual back scratch.  A good example is the artist Anthony Jones – he is heavily active on facebook and a comment from him can boost interest from his fans and people that follow, in turn he often gets “editor’s pick” on CGHub – This helps cg get more attention from followers he has already and adds more that will see him through cghub.  In a way it is similar to cry dev – I never really visited their site until I knew people getting a mention on it, it’s the networking circle of life.
Anthony Jones - a popular digital artist

I have been making “artist” folder for my favourite artist’s websites… I have fifty so far.  From what I have seen I like the more natural looking and “painterly” art.  The content is unfortunately beyond cliché’d now – Assasins don’t all wear hoods and have emo tendencies.  I have been trying to understand what it is that appeals to others – Not just with the content, but also with the compositions, mark making and realism.  I have noticed artists have niches, the aforementioned Anthony Jones has a knack for recreating nice and realistic surface material properties – using highlights subtle/over the top bouncing colour to bring his work to life. An essential skill I think for a good digi-artist would be combining this with accurate tones – which he also does really well.  I’m not too sure if I like all this, but the art is good and the artist shows methods and broadcasts live.
I’m a bit of a cynical guy, but the concept thing is little cliché’d… over the top lighting – everything is always lit as if in a studio.  Which annoys me with films even now – the camera angles and scenery are all VFX and films end up looking wrong.  
 
Gary Oldman - just a Jack wannabie.  Notice the background - this is about as big as the set seemed throughout
Today I watched The Book of Eli, which is a decent film I would say… apart from the VFX, the camera angles were too static on the long shots, everything seemed cramped right up to you even though it was supposedly a vast wasteland.  Sometimes you can just feel the blue screens.  There is a lot of turmoil in the VFX industry and I think they can go fuck themselves – what happened to the special effects, sets and props, location filming & bringing wealth & interest to other places… puppets & decent animation?  I also watched I Am Legend the other day (to maybe help with our group project theme) and the one thing that ruined that was the VFX.  It’s no longer being used because it is needed (Terminator 2) it’s being used because it is cheap and easy.  Most of the time the work is out-sourced and the employees don’t get any credit and don’t really care about the work.
Ang Lee caused some controversy at the Oscars this year and ruffled some feathers